Usui ( 雨 ) Rain Water
Toru Ichikawa "Watatsudami" Cup Chawan Bizen Ware Celadon ★RESILIENCE★ Bowl Ryuichi Kakurezaki 12.5 x 9.3 x 10 inside theres a stone clay caused by extreme fire kiln. Item came from the hand and boutique of Toru. ITEM IS NEW
Part of a 2020 collection calle "Celadon Resilience" this tea bowl is called Wadatsumi, it could be a man-fish with dimensions comparable to those of the kraken. Compared to him Megalo and Shirahoshi, who have considerable dimensions, represent normal-sized creatures. It has thin arms and legs compared to the bust and head. He has a round face and a wide mouth, full of square teeth. It has hair around the head that looks like a chestnut and the body is also hairy. Because of his appearance, Usop and Oven compared him to an umibōzu.
Watatsumi is also (海神, 綿 津 見) [ɰa.ta.tsɯ.mi], also pronounced Wadatsumi, is a legendary kami (神, god, spirit), Japanese dragon and tutelary god of water in Japanese mythology. Watatsumi no kami (大 綿 津 見 神, "great divinity of the sea") is believed to be another name for the sea divinity Ryujin (龍神, Dragon God), and also for the Watatsumi Sanjin (綿 津 見 三 神, "of the Three Watatsumi "), which regulates the upper, middle, and lower seas respectively and were created when Izanagi was washing himself after returning from Yomi," the underworld.
The Mirror of our Times, the World we are living in, enclosed in a Chawan, to Respond in a Resilient way, different capacities need to be Evoked. The COVID-19 shock is so extreme in its duration and intensity and with resilience in a moment of serious uncertainty it is necessary to know how to analyze Art Impacts. Pandemic is putting new and unforeseen pressures on all of us. From the Genious Mind of a Great Bizen we welcome:★ Celadon Resilience ★
辻村史朗の山の暮らし | TSUJIMURA'S LIFE IN THE MOUNTAIN
"When the monk asked me what will happen after death, I replied that I don't know, and I really don't know. So what will you do when you die? I really don't know. What I know is I only want to do things that I like during the time when I'm alive. So when you die, whether it's the end or whether there's heaven after that, there are religions with answers to that. But actually, it really matters down to what you can do during the time when you are alive. I really like this idea of ignorance is bliss. "
We spoke about beauty, and what this means to him.
"Beauty is a very difficult concept. Dirty things can also be beautiful, for example, when people look at this, they might think it looks dirty, but I think it is beautiful. I think different people have different concepts of beauty, because it depends on each individual. A bowl that can be looked at for hours for its beauty, that's what I hope to make. Something fascinating is this space inside the bowl, something that exists in the bowl."
Widely lauded as one of the greatest living ceramicist, Shiro Tsujimura has won fans the world over with his unique style that encapsulates the spirit of creation. Celebrating the improvisations, inconsistencies, and forms born in the moment. As an artist, Tsujimura invests himself entirely in his process. It is a style so particular that it could only be developed by a true individual. Indeed, Tsujimura is part of no dynasty and is aligned with no school. His style is entirely original, free of imitation, and the product of sheer engagement with the potter's process. Even his studio and kiln is built by the artist himself, the latter built small so that they can only hold a few items at a time, but allowing, once again, the artist to observe every aspect of the work, plucking a piece from the heat just at the moment when a hue in the glaze peaks, never to be replicated.
While Shiro Tsujimura is known for his chadogu, he is phenomenally prolific, offering output to many schools of Japanese ceramics that will delight connoisseurs including shigaraki, iga, shino, kohiki, ido, oku-korai, kuro oribe, and setoguro, which of course he delivers in his own inimitable style. Nihombashi Mistukoshi honors this with an exhibition that delivers the full range of his canon, uniting flower vases with urns, but also taking the opportunity to showcase some of the Tsujimura's paintings and calligraphy in order to present the artist's unique style in its entirety.
EntitledSetsugekka, this exhibition is a rare chance to gain complete access to Shiro Tsujimura's world. This is a world that formed as it is entirely in his own image after his training as a Zen monk led him to a life of clay from the age of 22--an altogether unique experience. You will have no better guide as the man himself will be in attendance during the exhibition. And should this spark your interest in the world of tea utensils--either as an art form or in practice--then the rest of the store is ready to welcome you to the world beyond the tea bowl.
OBOKO 「おぼこ」 INNOCENT \ VIRGIN
[Old delicious] Shiro Tsujimura Delicious work Karatsu bowl tea Chawan Treasure
13 X 8.2 x Depth: 14.1 cm