en-西 十 Koju Nishioka Chawan Chosun Karatsu  [uncrowned genius]  

15/06/2021
He has been an active man in a wide range of fields, including research on the six ancient kilns, making efforts to reproduce old Karatsu. A super talented potter [Koju Nishioka] who has been called an uncrowned genius for his achievements that are the closest to the Living National Treasure in the history of modern Japanese ceramic art, but who have never been shaken through his own pottery and research. This work, which has a new sensation without being old while being strongly conscious of the work Momoyama Ko Karatsu, is one of the most popular Korean Karatsu pottery example of a technique in which glaze with a high iron content and mottled glaze (straw ash glaze) are divided into upper and lower parts.  Especially in this work, the flow of glaze is outstandingly beautiful and fascinating. It can be said that it is a gem & there is an inscription on the side of the hill. Dimensions: Diameter 13.2cm Height 8.4cm
He has been an active man in a wide range of fields, including research on the six ancient kilns, making efforts to reproduce old Karatsu. A super talented potter [Koju Nishioka] who has been called an uncrowned genius for his achievements that are the closest to the Living National Treasure in the history of modern Japanese ceramic art, but who have never been shaken through his own pottery and research. This work, which has a new sensation without being old while being strongly conscious of the work Momoyama Ko Karatsu, is one of the most popular Korean Karatsu pottery example of a technique in which glaze with a high iron content and mottled glaze (straw ash glaze) are divided into upper and lower parts. Especially in this work, the flow of glaze is outstandingly beautiful and fascinating. It can be said that it is a gem & there is an inscription on the side of the hill. Dimensions: Diameter 13.2cm Height 8.4cm

A remarkable chawan made by the one and only humble man grand master of Karatsu pottery: Nishioka Koju. This karatsu bowl, made in the kutsu-gata (shoe-shape) style, is a wonderful example of the level of talent of the artist, with a texture varying from smooth to cracked and earthy tones ranging from light to burnt.

Nishioka Koju (1917-2006) established his kiln & due to his respect other great potters like Arakawa Toyozo and Fujiwara Kei were firing at his kiln.

One of Japan's 'hidden treasure' potters was Karatsu's Nishioka Koju(1917-2006); he was a Karatsu scholar who came to making pots later in life at the urging of Koyama Fujio. Nishioka's research into ancient Karatsu styles only deepened his own pots that are highly valued by collectors here in Japan. I wrote this for a past listing on our gallery, 'In Karatsu pottery Nishioka Koju is a living legend. He has excavated old kilns and studied the ancient ways starting in 1953. He established his kiln in 1973 and his kiln was named by the late great scholar-potter Koyama Fujio. Many other great potters made their way to Nishioka's kiln, creating and firing there; these include Arakawa Toyozo and Fujiwara Kei. In my opinion Nishioka's Karatsu is some of the finest ever seen.

posted by Robert Yellin at the time about to describe a Nishioka Work.

Name: Robert Yellin Location: Kyoto, Japan

Robert Yellin is a "Legend pottery knowledge" has lived in Japan since 1984. His passion and broad knowledge (combined with a 'good eye') in Japanese pottery has led him from collector to columnist-author to gallery owner; his gallery offers some of the finest works available in Japan online at www.japanesepottery.com or at his gallery located near the Silver Pavilion (Ginkakuji) in a magnificent old Sukiya-style home in Kyoto.

A highly talented potter who has been called a crownless genius due to his unwavering achievements in making and researching his own pottery, despite being the closest to a living national treasure in the history of modern Japanese pottery. It is a work, this work, which has a feeling of new without being old despite being a strongly old technical prodigy. Karatsu of Momoyama, is one of the most popular Korean Karatsu in Karatsu ware. [Korean Karatsu] is a technique where candy glaze (high iron glaze) and mottled glaze (straw ash glaze) are divided into the top and bottom. A famous bowl in a famous bowl that combines large-scale modeling and outstanding cooking, and has superb views and a gorgeous personality. A precious and intact product with box and same fabric. There is an inscription on the side of the hill. This is Koju Nishioka's Daimyo bowl.

Koyama Fujio introduced "God of Old Karatsu" and in his book "Antique Hyakuwa" (1977). From the experience of excavating nearly 200 old kiln ruins, Koju Nishioka revived old Karatsu and had a great influence on modern Karatsu. His research and the high technical skills deepened by his research and friendship with Mr. Fujio Koyama / Toyozora Arakawa / Kei Fujiwara, who hunted the ruins of an old kiln to reproduce the old Karatsu, fascinated the potters and are a master craftsman representing modern Karatsu ware.
Koyama Fujio introduced "God of Old Karatsu" and in his book "Antique Hyakuwa" (1977). From the experience of excavating nearly 200 old kiln ruins, Koju Nishioka revived old Karatsu and had a great influence on modern Karatsu. His research and the high technical skills deepened by his research and friendship with Mr. Fujio Koyama / Toyozora Arakawa / Kei Fujiwara, who hunted the ruins of an old kiln to reproduce the old Karatsu, fascinated the potters and are a master craftsman representing modern Karatsu ware.