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Black Raku ware tnamed ShichiriGlaze from iron and Kamogawa (Kamo River) stone, intentionally scraped away「七里」 'Seven Leagues' Kuro Raku Chawan Selected BY ONIHAGI Cup as Art of the Five Senses ...This bowl is one COPY of a small number of surviving ceramics MADE by Hon'ami Koetsu (1558-1637), a noted designer-connoisseur who played a prominent role in Kyoto artistic circles during the late sixteenth and early seventeenth centuries. Koetsu's abilities extended to the making of Raku tea bowls, the art of which he learnt from Raku Donyu (1599-1656), the third generation head of the Raku family.ORIGINAL bowl is one of the most important pieces of Japanese ceramicsTHI NAKAMURA It is similar in shape and treatment
Three generations Nakamura Michitoshi Koetsu copy Shichiri black bowl三代中村道年 [Michiyo Nakamura Donen III]
Born of the second generation Nakamura.
After graduating from high school, engaged in the traditional Yagoto kiln, trained in the technique of homemade Koetsu Fu-Raku ware, and in 1973 he was named the third generation of Nakamura family.
In the same year, he held his first solo exhibition in Fukuyama City, Hiroshima Prefecture, and since then, has held solo exhibitions, mainly at department stores in various places, and vigorously announces his works.
In 1984, he became a coterie of today's association and has been connected to Urasenke, and when the tea ceremony surged and became famous unfortunately, he died at 49 years old.
It is the 大 樋 (Ohi Yaki) style from Ishikawa prefecture northeast of Kyoto.
Three generations Nakamura Michitoshi (1938 - 1988)
was born in Nagoya as the eldest son of Masatsugu 1938.After graduating from Aichi Prefectural Asahigaoka high school art department sculpture department, devoted apprenticeship to Raku his father as a teacher. When becane the III around 1973 he was famous for his devotion to work pottery mainly with the ambition to make Koetsu-style bowl of his predecessor.
While held vigorously solo exhibitions in various places and strongly connected with Urasenke.
Died on 1988 during spring歿.
Made by the third generation of one of Kyoto's most famous chawan families, the tea cup seen here has an excellent and much loved Koetsu representation.
The artist, Donen III （1938） 1988） studied under his father from a young age and went to work full time in the family bakery after graduating from high school. He specialized in the production of Raku items in the Koetsu style and has been very active in showing his goods throughout Japan in all the major metropolitan centers. His illustrious family name, his proactive approach to setting up exhibitions outside his native Kyoto, and his strong association with all major tea schools in Japan have made him a favorite of tea professionals and collectors of tea everywhere.
In new conditions this piece has a diameter at its widest point 12.5 cm and is 8.5 (tomobako) high, a protective silk case and an external symbol indicating that this is one of Donen's best works.
三代 中村道年
昭和13年～昭和63年（1938～1988）
昭和13年正次の長男として名古屋に生まれる。
愛知県立旭丘高校美術課彫刻科を卒業後、父を師として楽焼に専念修業。
昭和48年に三代目を継ぎ、先代の志した光悦風茶碗を主体として作陶に精進。独白の作風をうちたてる。
各地で精力的に個展を開催する一方で、昭和59年には今日会の同人となり、裏千家ともつながりができている。
三代のころは茶の湯人口が急増した時代であり、表裏両千家が箱書付をする窯として重宝されていたが、残念ながら年若くして急逝した。
昭和35年燦々会入会
昭和41年 恵子（四代道年尼）と結婚
昭和48年広島 ギャラリーたけだ・東京 小田急にて個展
昭和49年名古屋 丸栄にて二人展・長野 丸光にて三人展を開催
昭和50年神戸 そごうにて個展
昭和52年福岡 岩田屋にて個展
昭和53年東京 銀座三越・広島 陶苑たにひらにて個展
昭和54年日本伝統工芸東海展入選
昭和55年名古屋 丸栄にて個展
昭和56年姫路 ヤマトヤシキ・東京 日本橋三越・岐阜 丸物にて個展・和風会入会
昭和57年横浜 松坂屋・大阪 三越にて個展
昭和58年名古屋 丸栄にて楽の名匠 中村道年三代展・横浜 高島屋・札幌 三越・静岡 松坂屋 にて個展
昭和59年東京 日本橋三越にて個展・今日会入会※今日会（各界の茶道愛好家や数奇者が裏千家家元に集まり、茶道を通して地域文化の振興を目的とする会）
※和風会（裏千家久田宗也のもとに集まる男子の会）
昭和六十三年春歿。
One of Nakaura III past works with an average vale of 200.000-400.000 yen