仲田錦玉 九谷 ☆ ☆ ☆ Nakata Kingyoku Nishikitama ☆Kutani Morigane blue grain incense burner tea utensils

   仲田錦玉 九谷 ☆ ☆ Nakata Nishikitama Kutani Morigane blue grain incense burner tea utensils box None Accessories:  None   Condition:GENTLY USED NO DEFECT 
 Height 10.0cm Mouth diameter cm Trunk diameter of 12.0cm Bottom diameter cm

700.00 €

Blue grain (aochibu)

Features

With advanced technology, blue grains must be uniform in size, color and spacing.

Only the teacher draws the blue grains swirling.

Tens of thousands of grains. About 10 times the volume of ordinary craftsmen.

The elegance of the work is unique to open-list artists.

A gold paint that is carefully painted on the substrate and painted with solid gold paint.

A work that has mastered the blue grain technique

There are not only blue grains but also elegant white grains.

Use special tools.

The number of successors of techniques and styles decreased.

略歴 (his father)

1945年 生まれる
1988年 九谷焼技能展最高賞
1994年 中国シルクロード6,000キロ取材旅行
通商産業大臣、伝統工芸士認定
1995年 伝統九谷焼展技術賞
石川県デザイン展県知事賞
1996年 国際色絵陶磁器展入選
日本伝統工芸展初入選
2000年 内閣総理大臣ヨーロッパ歴訪、 外務省買上
2001年 日本伝統工芸展入選
2015年3月 逝去。
現在息子さんが後を継承しております。 

 Kutani techniques introduction: blue grains (Aochibu)
in the pattern of densely fine point of blue decorate the top of the background color, white grains, is the gold grains are also the same. Grain size, color, are evaluated technology in a uniform of the interval is a design representing the Kutani, which began to brew a unique grace. Nakata Nishikidama teacher is the guru of the blue grain technique. 

One of the representative styles of Kutani items is "Shinkin blue grain style". An embossing technique in which the motifs are raised with special paint and golden mud is placed on top of them, and a blue-grained white-grained technique in which the blue and white paint are dropped and painted using itchin. Two techniques are merged to express a unique world view.

he, a leading figure in blue gold sculpture, inherited this technique from generation to generation.

仲田錦玉氏のご紹介

九谷焼の代表的な画風の一つである盛金青粒画風があります。文様の部分を特殊な赤絵具で盛上げ、その上に金泥を載せていく盛金技法です。イッチンを用い青絵具を落とし描いていく青粒技法。二つの技法が融合した世界観です。三代にわたりこの画風を継承し日々精進を続けておられます。