A very beautifully expressed teabowl in the hidasuki style with brilliant red lines against the backdrop of an elegant beige base. The tea bowl is a true representation of the flawless techniques and intricate experience of the artist Yuichi Yamamoto and accidental beauty that can be created through the nature of fire and straw.
Hidasuki is a natural pattern of lines and patches in beautiful hues of brown and vermillion against a light brown base. Rice straws are soaked in salt water and bound around the unglazed body of the pottery. When the piece is fired, the flames and ash do not touch the pottery directly resulting in a light brown base with darker lines of brown and vermilion that mimic the strands of the straw.
The Artist: Yuichi Yamamoto has many awards such as Kaneshige Toyo Pottery award and the grand prize at the Tanabe Museum Modern Forms in Tea Ceremony Exhibition. Most notably he has been designated as an Important Intangible Cultural Asset of Okayama Prefecture, this is the regional version of the National Living Treasure Award.
Born in 1935 as the eldest son of Toshu Yamamoto, a Living National treasure. He studied meticulously under his father and became independent in 1962 specializing in hidasuki. Since then, his work has been exhibited in prestigious institutions at home and abroad. His passion and expertise in Bizen ceramics are well demonstrated in his book "The Appeal and Technique of Bizen Pottery".
A Selected Tea Bowl called Shimenawa ( stylized ropes strung across torii gateways at Shinto shrines and are used to demarcate the boundary between the sacred and the profane. )
The shimenawa (注 連 縄 lett. "Delimiting rope") are hemp and rice straw strings used for purification rituals in Shintoism. The diameter can vary from a few centimeters to several meters, and they are usually decorated with a shide, a piece of paper in the shape of a zigzag.
The word Shimenawa, literally rope sacred, is composed of three kanji, of which the last is nawa corda, while the other two correspond roughly to the terms "scrosciare" (sosogu) and "Series", "Group", "Collected" ( ren). The sacred string is found in the Shinto temples and complexes.
For example, it hangs horizontally, at the entrance of the Jinja, of the Torii, of secular trees or poles in order to circumscribe areas considered sacred in which there are spirits (kami) or goddess and rocks considered natural elements of strong spirituality.
At Shimenawa, composed of a weave of rice straw or hemp in which, sometimes, strips of colored paper are hung, the gohei 御 幣.
Decorations using more shimenawa are called shimekazari 注 連 飾 (kazari = decoration).
Also like the torii, the exact origins of the shimenawa are lost in the mists of time. Many theories suggest they came from the tradition of tieing a rope to something to mark ownership, but others suggest it comes from the habit of Central Asian nomads who strung a rope around their campsite.
The myths are mostly silent on the matter though since the elevation of Amaterasu, the Sun Goddess, to the apex of State Shinto some sources suggest that the rope used to keep her from re-entering the cave she hid in is where the shimenawa originated.
A little known story from what is now Tottori Prefecture has the Izumo kami, Susano, instruct people to string a rope along roads to ward off disease, so this story would seem to be a more likely candidate for the mythical and actual origin of shimenawa.
Forms of Shimenawa
Shimenawa come in all shapes and sizes. The simplest would be string that is strung along the streets in preparation for the procession of mikoshi, the portable shrines carrying the kami through the streets of its "parish" during a matsuri. This shimenawa mark the streets as a pure and sacred space through which the kami will be able to travel.
Similar simple string shimenawa will also be found strung between four pieces of fresh cut bamboo enclosing a temporary space where a ritual will be held such as a ground-breaking ceremony for a new building. The shimenawa will almost always have white paper shide folded into a zigzag shape hanging from them.
At the other end of the scale you will find massive shimenawa that have almost lost their form as a rope but rather appear as large sculptural decorations. The shimenawa in the Izumo region of western Japan best typify this style, and the biggest shimenawa in the world can be found at the Kaguraden of Izumo Taisha Shrine.
Weighing in at somewhere between 5 to 8 tons, and 13 meters long, it is something to see, but be careful when looking close up as there is a tradition of throwing coins up into the shimenawa, if the coin sticks it is considered good luck, but many don't first time so you may be struck by falling coins - pennies from heaven?
Between the simple string and the huge monster shimenawas of Izumo there is a surprisingly wide range of designs, more often than not based on locality and region.
From something as simple as a twisted rope people have found ways to creatively make something unique. One feature that offers a lot of variation are the fusa, translated as tassel.
Usually these appear as three objects hanging from the shimenawa, but sometimes they protrude from within the shimenawa. They come in all shapes and sizes and can be a fringe.
Traditionally shimenawa are made of rice straw, and are surprisingly strong. This major by-product of rice farming has an amazing number of uses, from being the main padding of tatami mats, to being the raw material for sandals, raincoats and hats, as well as being mixed into mud for walls.
Nowadays plastic is increasingly being used to make shimenawa. Rice straw starts to deteriorate after about three years and need replacing, but a plastic shimenawa can last for decades, and while there is no shortage of rice straw, those with the skills to make the shimenawa are disappearing, especially in the cities.
Standard polypropylene rope is used sometimes but other kinds of plastic are making their appearance. This new material has led to yet more variations in shimenawa design. Shimenawa can actually be found all over, but mostly they are associated with Shinto shrines where they will adorn most buildings as well as the entrances, torii.
They can also be found on statues of all kinds including komainu, horses, foxes etc. Yorishiro, things that may be inhabited by kami will have a shimenawa wrapped around them or attached to them.
This would often include trees, usually large, ancient ones, though any could be used, and rocks, called iwakura, a fairly common yoshiro. Meotoiwa are pairs of rocks usually found just offshore and are male-female pairs joined by a shimenawa. The shimekazari, a New Year's ornament-talisman attached to most doors are also a development of shimenawa.
The top rank of sumo wrestlers, yokozuna, also wear a variant of the shimenawa on their ceremonial belts.
Meoto Iwa 夫婦 岩
Mie Prefecture - Futami-ura - Nagoya
Meoto Iwa are two small rocks facing the coast (to the west of Ise bay) joined together by an impressive Shimenawa.
The two rocks are the personification of Izanagi (the largest) and Izanami (the smallest rock), the two gods that according to Kojiki created Japan. Their union with the rope is to represent the marriage bond between husband and wife.
Above the Izanagi rock (male), the larger one, is a Torii.
The rocks of Meoto Iwa are part of the Okitama-jinja temple complex, dedicated to the food deity Miketsu.